How do fashions in drinks work, and how are drinks fashions related to changing trends in clothes and apparel? These twin questions are posed and answered by the book Drinks in Vogue. Taking a radically cross-disciplinary set of perspectives and ranging far and wide across time and space, the book considers beverages as varied as cocktails, wine, Champagne, craft beer, coffee, and mineral water. The contributors present rich case materials which illuminate key conceptual issues about how fashion dynamics work both within and across the worlds of beverages and clothes. Covering both contemporary and historical cases and drawing upon perspectives in disciplines including sociology, history, and geography, among others, the book sets out a novel research programme that intersects fashion studies with food and drinks studies.

This collection offers a uniquely comprehensive guide to the sociology of the body. With a strong historical scope and conceptual framework, it provides an indispensible reference for undergraduate and postgraduate students, and a robust source for scholars working in the area. The central focus is on understanding sociology through the body; what is often described as re-reading sociology in a 'more corporeal light'. This is an interdisciplinary process, drawing on history, feminism, cultural history, art history, anthropology, social psychology, philosophy, medical sociology and media and communications, as well as sociology. While this has been primarily a Western practice, The Body seeks to broaden the perspective to include references that draw on alternative cultural assumptions, beliefs and practices (including Japan, and South America.)

Veils and veiling are controversial topics in social and political life, generating debates across the world. The veil is enmeshed within a complex web of relations encompassing politics, religion and gender, and conflicts over the nature of power, legitimacy, belief, freedom, agency and emancipation. In recent years, the veil has become both a potent and unsettling symbol and a rallying-point for discourse and rhetoric concerning women, Islam and the nature of politics. Early studies in gender, doctrine and politics of veiling appeared in the 1970s following the Islamic revival and 're-veiling' trends that were dramatically expressed by 1979's Iranian Islamic revolution. In the 1990s, research focussed on the development of both an 'Islamic culture industry' and greater urban middle class consumption of 'Islamic' garments and dress styles across the Islamic world. In the last decade academics have studied Islamic fashion and marketing, the political role of the headscarf, the veiling of other religious groups such as Jews and Christians, and secular forms of modest dress. Using work from contributors across a range of disciplinary backgrounds and locations, this book brings together these research strands to form the most comprehensive book ever conceived on this topic. As such, this handbook will be of interest to scholars and students of fashion, gender studies, religious studies, politics and sociology.

Veils and veiling are controversial topics in social and political life, generating debates across the world. The veil is enmeshed within a complex web of relations encompassing politics, religion and gender, and conflicts over the nature of power, legitimacy, belief, freedom, agency and emancipation. In recent years, the veil has become both a potent and unsettling symbol and a rallying-point for discourse and rhetoric concerning women, Islam and the nature of politics. Early studies in gender, doctrine and politics of veiling appeared in the 1970s following the Islamic revival and 're-veiling' trends that were dramatically expressed by 1979's Iranian Islamic revolution. In the 1990s, research focussed on the development of both an 'Islamic culture industry' and greater urban middle class consumption of 'Islamic' garments and dress styles across the Islamic world. In the last decade academics have studied Islamic fashion and marketing, the political role of the headscarf, the veiling of other religious groups such as Jews and Christians, and secular forms of modest dress. Using work from contributors across a range of disciplinary backgrounds and locations, this book brings together these research strands to form the most comprehensive book ever conceived on this topic. As such, this handbook will be of interest to scholars and students of fashion, gender studies, religious studies, politics and sociology.

Culture is unquestionably a central topic in the contemporary social sciences. In order to understand how people think, feel, value, act and express themselves, it is necessary to examine the cultures they create, and are in turn created by. Here, David Inglis shows how the study of culture can be transformed by focusing in on how cultural forces shape, influence, structure - and occasionally disrupt - the day-to-day activities of individuals. Reconsidering different views on 'culture' - what it is, how it operates, and how it relates to other aspects of the human (and non-human) world - this new book covers key areas such as: high culture versus popular culture modern and postmodern culture globalization and culture culture and nature. Specific issues covered range from the everyday aspects of sportive play, artistic production and the mass media, to car culture and global cuisine, and students are introduced to some of the major thinkers on culture from Matthew Arnold to Bakhtin and Bourdieu. Written in a concise, student-friendly manner, theoretical arguments are illustrated with examples from film, architecture and daily life, making this an informative and indispensable introduction for those wishing to understand the complexities of culture.

Culture is unquestionably a central topic in the contemporary social sciences. In order to understand how people think, feel, value, act and express themselves, it is necessary to examine the cultures they create, and are in turn created by. Here, David Inglis shows how the study of culture can be transformed by focusing in on how cultural forces shape, influence, structure - and occasionally disrupt - the day-to-day activities of individuals.

Reconsidering different views on 'culture' - what it is, how it operates, and how it relates to other aspects of the human (and non-human) world - this new book covers key areas such as:

• high culture versus popular culture
• modern and postmodern culture
• globalization and culture
• culture and nature.

Specific issues covered range from the everyday aspects of sportive play, artistic production and the mass media, to car culture and global cuisine, and students are introduced to some of the major thinkers on culture from Matthew Arnold to Bakhtin and Bourdieu.

Written in a concise, student-friendly manner, theoretical arguments are illustrated with examples from film, architecture and daily life, making this an informative and indispensable introduction for those wishing to understand the complexities of culture.

This textbook puts sport in the spotlight of cultural inquiry for the first time. The authors provide the essential resources for the study of sport within culture and popular culture. Sport is an important part of cultural life, yet until recently it has tended to remain on the margins of academic cultural studies.

Beginning by considering sport in relation to the pre-cultural studies tradition of cultural commentary, The Uses of Sport then moves on to a critical engagement with a number of themes relevant to contemporary cultural studies including: community and social capital, cultural populism, cultural materialism, visual culture and film, and postmodernism and citizenship.

As sport continues to gain cultural and academic significance, this textbook will become the definitive resource for students and scholars of cultural studies, sociology, and sport and leisure studies.

Under what social conditions do particular sorts of arts and aesthetics arise and flourish, and under what conditions do they decline and disappear? What types of artistic and aesthetic practices exist outside of museums, galleries, and other high-cultural institutions? In what ways are social relations and broader cultural forces embedded within particular artworks, or specific artistic genres and forms? What roles can and do aesthetic orientations and artistic processes and products play in social life? In what ways are arts and aesthetics socially organized, regulated, distributed, and utilized? How are art worlds connected to other major social institutions, such as politics and the economy, and has art become just an offshoot of consumer and celebrity culture?

Serious work on dizzying questions such as these has a long pedigree, stretching back at least to the writings of Giambattista Vico and Madame de Stael in the eighteenth century. Very simply put, both these authors were concerned with tracing the manifold relations that can pertain between the arts and, more broadly, aesthetics on the one hand, and society on the other. Since then, social scientists in many disciplines have had compelling things to say about art and aesthetics. In some disciplines such as anthropology this is a fact of long standing, while in others like human geography it is of more recent provenance. But the most striking recent surge of interest in the area has taken place in sociology, where never before have cultural forces and phenomena been so centrally on the research agenda.

Addressing the need for an authoritative reference work to make sense of this rapidly growing and ever more complex corpus of scholarly literature, Art and Aesthetics is a new title in the Routledge series, Critical Concepts in the Social Sciences. Edited by two leading scholars, this new Major Work from Routledge brings together in four volumes foundational and the very best cutting-edge scholarship to provide a synoptic view of all the key issues and current debates.

In particular, this new collection brings together for the first time the most important research on how social relations are embodied in artistic and aesthetic products and processes, and how these in turn can affect social life and societal organization. Rooted in sociology, but also embracing a broad range of diverse contributions from other disciplines such as anthropology, philosophy, art history, cultural studies, media studies, film studies, gender studies, and postcolonial studies Art and Aesthetics demonstrates the great vitality of this area of research and teaching. It highlights both how social scientists are increasingly developing sophisticated ways of understanding artistic and aesthetic issues, and also how scholars in the humanities are drawing upon social-scientific ideas and methods in order more fully to engage with such matters than hitherto was possible.

Art and Aesthetics is fully indexed and has a comprehensive introduction, newly written by the editors, which places the material in its historical and intellectual context. It is an essential work of reference and is destined to be valued by scholars and students interested in the relations between arts, aesthetics, culture, and society as a vital one-stop research and pedagogic resource.

This textbook puts sport in the spotlight of cultural inquiry for the first time. The authors provide the essential resources for the study of sport within culture and popular culture. Sport is an important part of cultural life, yet until recently it has tended to remain on the margins of academic cultural studies.

Beginning by considering sport in relation to the pre-cultural studies tradition of cultural commentary, The Uses of Sport then moves on to a critical engagement with a number of themes relevant to contemporary cultural studies including: community and social capital, cultural populism, cultural materialism, visual culture and film, and postmodernism and citizenship.

As sport continues to gain cultural and academic significance, this textbook will become the definitive resource for students and scholars of cultural studies, sociology, and sport and leisure studies.